{"title":"New LPs","description":"\u003cp\u003eBrowse our New LPs collection. New Arrival.\u003c\/p\u003e","products":[{"product_id":"anderson-marisa-traditional-and-public-domain-songs-new-lp","title":"Anderson, Marisa -  Traditional and Public Domain Songs - New LP","description":"\u003cp\u003eMarisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her deeply original work applies elements of minimalism, electronic music, drone and 20th century classical music to compositions based on blues, jazz and gospel and country music, re-imagining the landscape of American music. Onstage, she is a master storyteller, bringing warmth, wit and insight to her virtuosic compositions and arrangements.\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1522509839\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003eTraditional and Public Domain Songs by Marisa Anderson\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is a re-issue of the 2013 Grapefruit Records release, with two new songs, Amazing Grace and Bread and Roses.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"\"\u003eAnderson tours extensively throughout Europe and North America. Her work has been featured in Billboard, Rolling Stone, NPR, SPIN, Pitchfork, the BBC and The Wire. Billboard magazine named ‘Into the Light’ one of the best records of 2016 and Pitchfork named Anderson’s 2015 split LP with Tashi Dorji one of the top experimental records of that year. Recent festival appearances include Pitchfork Midwinter, Le Guess Who, Moog Fest, Copenhagen Jazz Festival and the Winnipeg Folk Festival. Classically trained, she honed her skills playing in country, jazz and circus bands. In 2011 she released her first solo guitar record, ‘The Golden Hour’ followed by ‘Mercury’ (2013), ‘Traditional and Public Domain Songs’ (2013) ‘Into The Light’ (2016), and ‘Cloud Corner’ (2018). In 2020 she will release two collaborative records, one with acclaimed drummer Jim White (Dirty 3) and the other, a 7” with Tara Jane O’Neil. Anderson is in demand as a collaborator and composer, contributing to recordings by Beth Ditto, Sharon Van Etten and Circuit Des Yeux among others, as well as creating music for short films and soundtracks. Originally from Northern California, Anderson dropped out of college at age nineteen to walk across the US and eventually landed in Portland, Oregon, where she currently lives.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":50972278292566,"sku":"rcl1793382015435","price":12.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/9438\/3190\/files\/anderson-marisa---traditional-and-public-domain-songs---new-lp_1.jpg?v=1793382050"},{"product_id":"cage-john-with-david-tudor-variations-iv-clear-vinyl-marked-down-new-lp","title":"Cage, John With David Tudor ‎– Variations IV [CLEAR VINYL Marked Down] – New LP","description":"\u003cp\u003e1966 experimental\u003c\/p\u003e\n\u003cp\u003eAnything can happen and often does. A seminal example of indeterminate music from an icon on experimental sounds.\u003c\/p\u003e\n\u003cp\u003eIt could be argued that there is no more controversial figure in music history as avant-garde electronic composer John Cage. Perhaps best known for his composition \"4'33,\"\" which consisted of Cage sitting at a piano for four-plus minutes of total silence, Cage was both loved and loathed in the 60s and 70s as a leading light in avant-garde music and as an entertainingly weird guy who used radios, televisions, live dancers and his own Adam's apple as instruments in his live performances. Cage's music blurred the line between music, performance art and visual art in a way that no other composer has before or since.\u003cbr\u003e\u003cbr\u003eCage's performances were often wild one-of-a-kind happenings, and the shows that make up the recording of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVariations IV\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eare no different. The fourth in a series of concerts that stretched the boundaries of what music was,\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eIV\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas designed for a group of performers playing literally anything they could get their hands on. They were also encouraged, if they got bored playing, to do \"other activities\" in addition to the music. The score consisted of two circles and seven points on a transparent sheet, to be interpreted however the performers saw fit. The end result: a wild album of music-concrete that should sound familiar to fans of the Beatles' \"Revolution 9\" -- no question Cage's composition influenced Lennon and Ono's experiments.\u003cbr\u003e\u003cbr\u003eModern Harmonic brings you this gorgeous reissue of Cage's masterpiece, pressed on clear vinyl and wrapped in restored artwork that captures the unique and strange beauty of this headphone classic. Join the avant-garde!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCut by Kevin Gray at Cohearent Audio.\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIncludes:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIntroduction • Excerpts - 7pm to 8pm • Excerpts - 8pm to 9pm • Excerpts 9pm to 10pm • Excerpts - 10pm to 11pm\u003c\/p\u003e","brand":"Modern Harmonic Records","offers":[{"title":"Default Title","offer_id":50972304900182,"sku":"uko1793382143930","price":12.92,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/9438\/3190\/files\/cage-john-with-david-tudor-variations-iv-clear-vinyl-marked-down-new-lp_1.jpg?v=1793382158"},{"product_id":"burnside-cedric-i-be-trying-new-lp","title":"Burnside, Cedric – I Be Trying – New LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ethe latest from Cedric (RL's grandkid), housed in a nice gatefold sleeve, housed in the grooves you'll find the blues and nothing but, nothing too fancy and nothing to sneeze at, solid and soulful from go to whoa. \u003c\/span\u003e -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1099081838\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003eI Be Trying by Cedric Burnside\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"Recorded over three days at Royal Studios in Memphis (the home studio of Al Green and Hi Records in the 60s and 70s), this album is the ultimate statement of purpose for a critically acclaimed artist who has proudly carried the mantle of Mississippi Hill Country blues around the world. Over thirteen tracks, Burnside delivers his bruised but unfettered truth over blistering guitar and deep pocket drums—a sound birthed in his soul but developed and perfected on the road.  Produced by second-generation Memphis soul trailblazer Boo Mitchell (“Uptown Funk”) and featuring guest appearances from Luther Dickinson and Zac Cockrell, I Be Trying takes the sound that Burnside learned from his grandfather, blues legend R.L. Burnside, and reinterprets it into a modern, bold Black American sound that expands the sonic landscape while respecting and honoring its roots.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased 2021\u003cbr\u003e\u003cbr\u003eRecorded and Mixed at Royal Studios, Memphis, TN\u003cbr\u003ewith additional recording at Single Lock Studios, Florence, AL\u003cbr\u003e\u003cbr\u003eProduced, Engineered and Mixed by Boo Mitchell\u003cbr\u003ewith Associate Producer and Assistant Engineer Ben Tanner\u003cbr\u003eMastered by Greg Calbi at Sterling Sound\u003cbr\u003e\u003cbr\u003eCedric Burnside: guitar and vocals on all, drums on 2, 4, 5, 6, 7, 12\u003cbr\u003eReed Watson: drums and percussion on 3, 5, 7, 8, 9, 11, 13\u003cbr\u003eLuther Dickinson: guitar on 2, 6\u003cbr\u003eZac Cockrell: bass on 8\u003cbr\u003eCaleb Elliott: cello on 3, 13\u003cbr\u003ePortrika Burnside: vocals on 3\u003cbr\u003e\u003cbr\u003eRecording notes:\u003cbr\u003eAll guitar and vocals were run through 2 Coil Audio CA70S mic preamps.\u003cbr\u003eCedric used Al Green’s famed “Mic #9” on “The World Can Be So Cold.”\u003cbr\u003eDrums were tracked “Willie Mitchell” style with a single Mono RCA 77DX overhead through our 536 MCI preamps.\u003cbr\u003e\u003cbr\u003eAll songs written by Cedric Burnside except:\u003cbr\u003e“Bird Without a Feather” by R.L. Burnside\u003cbr\u003e“Hands Off That Girl” by Junior Kimbrough\u003cbr\u003e\u003cbr\u003eThe Team:\u003cbr\u003eManagement: Reed Watson and Matthew Thompson\u003cbr\u003eLabel: Reed, Addy and Ben at Single Lock Records\u003cbr\u003eUS Booking: Josh Brinkman at Crossover Touring\u003cbr\u003eUK Booking: Rupert Orton at PRB Booking\u003cbr\u003eAUS Booking: Brian Taranto at Love Police\u003cbr\u003eFinancial: Lucia Turino and Pete Frostic at The Greenroom Resource\u003cbr\u003ePublishing: Amy Patton at One Riot\u003cbr\u003ePublicity: Matt Hanks and Max Lefkowitz at Shorefire Media\u003cbr\u003eTransportation and Support: Chuck Duncan\u003cbr\u003e\u003cbr\u003eCover photography by Dale Gunnoe\u003cbr\u003eAdditional photography by Abraham Rowe\u003cbr\u003eAlbum packaging by Joshua Hardman\u003c\/div\u003e\n\u003cdiv data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}' class=\"trackView leftMiddleColumns has-art\" itemtype=\"http:\/\/schema.org\/MusicAlbum\" itemscope=\"\"\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Singlelock Records","offers":[{"title":"Default Title","offer_id":50972311289942,"sku":"wkz1793382183264","price":13.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/9438\/3190\/files\/burnside-cedric-i-be-trying-new-lp_1.jpg?v=1793382194"},{"product_id":"detroit-cobras-the-life-love-and-leaving-new-lp","title":"Detroit Cobras, The – Life, Love, and Leaving – New LP","description":"\u003cp\u003eThe Detroiters mow through the past with plenty respect, ripping up the roots and churning out the jams, not letting faithful get in the way of kicking it out, covering the Action's 1966 \u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\"Hey Sah-Lo-Ney\" (Micky Lee Lane), The Ronette's \"He Did It (Jackie DeShannon); The Chiffons' 1963 \"Oh My Lover\" (Ronnie Mack); Solomon Burke's 1963 \"Stupidity\"; Mary Well's 1961 \"Bye Bye Baby\"; Davis \u0026amp; Jones 1964 \"Boss with the Hot Sauce\"; Ike \u0026amp; Tina Turner's 1964 \"Can't Miss Nothing\"; The 5 Royales' 1956 \"Right Around the Corner\" (Singleton T. McCoy); Clyde McPhatter's 1962 \"Let's Forget About the Past\"; Otis Redding's \"Shout Bama Lama\" and a few others, obviously not going into any sort of sophomore slump.  Get it! -- winch\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tJ_9O2WNJGY?si=Y6fGRYnNFiC8AF74\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cspan\u003e \u003c\/span\u003e","brand":"Third Man Records","offers":[{"title":"Default Title","offer_id":50972316565590,"sku":"dic1793382207471","price":19.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/9438\/3190\/files\/detroit-cobras-the-life-love-and-leaving-new-lp_1.jpg?v=1793382222"},{"product_id":"burnside-cedric-benton-county-relic-new-lp","title":"Burnside, Cedric – Benton County Relic – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eKnotted up tight and letting loose, popping the gas tank cap and letting the intoxicating fumes hiss out, tapping into the tank of that truck called Mississippi blues and using that fuel to spit fresh fire, siphoning it up and spitting it out, lighting that junk on fire, his Mississippi and Memphis roots showing.  Most blues from the last 50 years don't do much for me, too much focus on showing off the chops and not focusing on the songs, or working too hard to sound authentic to the traditions and not to one's own innards, too much sounding like a visit to a museum, but Cedric is obviously coughing it up from his gut and spitting it out with soul.  It's hard not to compare him with his grandpa, but that's the wrong way to come at this, this keeps the tension pulled in tight, and lets loose like a coyote howl. -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1492089326\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003eBenton County Relic by Cedric Burnside\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eBenton County Relic is Cedric Burnside’s debut record for Single Lock. It was honored with a nomination for “Best Traditional Blues Album” at the 61st GRAMMY Awards. It was Cedric’s second nomination and Single Lock’s first.\u003cbr\u003e\u003cbr\u003e“Cedric Burnside carries the mantle — the joy and the burdens and the history of the North Mississippi hill country blues, a style like no other in Southern music.” \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e“The Big Bad Burnside Sound is back… and how!”- MOJO\u003cbr\u003e\u003cbr\u003e“If you’re tired of typical I-IV-V fare, Cedric just might be your man, and Benton County Relic might be the tonic you’ve been wanting.” - Premier Guitar\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased September 14, 2018\u003cbr\u003e\u003cbr\u003eCedric Burnside: Guitar, Drums, Vocals\u003cbr\u003eBrian Jay: Drums, Guitar, Vocals\u003cbr\u003eProduced by: Brian Jay \u0026amp; Cedric Burnside\u003cbr\u003eRecorded, Engineered, \u0026amp; Mixed by: Brian Jay at Brian Jay Studios in Brooklyn, NY\u003cbr\u003e“Ain’t Gonna Take No Mess” recorded at Ardent Studios in Memphis, TN\u003cbr\u003e\u003cbr\u003eMastered by Steve Burson\u003cbr\u003eAlbum Design by Aaron Gresham\u003c\/div\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}' itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\"\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Singlelock Records","offers":[{"title":"Default Title","offer_id":50972319481942,"sku":"wia1793382220134","price":12.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/9438\/3190\/files\/burnside-cedric-benton-county-relic-new-lp_1.jpg?v=1793382230"}],"url":"https:\/\/hiddenpocketzipclad.shop\/collections\/new-lps.oembed","provider":"My Store","version":"1.0","type":"link"}